Canon G1 X vs Panasonic S5
The Canon PowerShot G1 X and the Panasonic Lumix DC-S5 are two enthusiast cameras that were revealed to the public, respectively, in January 2012 and September 2020. The G1X is a fixed lens compact, while the S5 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and a full frame (S5) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon G1 X and the Panasonic S5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is notably larger (38 percent) than the Canon G1 X. It is noteworthy in this context that the S5 is splash and dust-proof, while the G1X does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the S5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the G1X gets 250 shots out of its Canon NB-10L battery, while the S5 can take 440 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S5 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | US$ 799 | ebay.com | |
| 2. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
| 3. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | US$ 799 | ebay.com | |
| 4. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | US$ 549 | ebay.com | |
| 5. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | US$ 449 | ebay.com | |
| 6. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | US$ 429 | ebay.com | |
| 7. | Canon T1i | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | US$ 799 | ebay.com | |
| 8. | Canon T3 | 130 mm | 100 mm | 78 mm | 495 g | 700 | n | Feb 2011 | US$ 449 | ebay.com | |
| 9. | Canon T4i | 133 mm | 100 mm | 79 mm | 575 g | 440 | n | Jun 2012 | US$ 849 | ebay.com | |
| 10. | Canon XSi | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | US$ 799 | ebay.com | |
| 11. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | US$ 949 | ebay.com | |
| 12. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | US$ 949 | ebay.com | |
| 13. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | US$ 1 999 | amazon.com | |
| 14. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
| 15. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
| 16. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 17. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | US$ 1 999 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1X was launched at a lower price than the S5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 223 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.0. The sensor in the G1X has a native 4:3 aspect ratio, while the one in the S5 offers a 3:2 aspect.

With 24MP, the S5 offers a higher resolution than the G1X (14.2MP), but the S5 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.30μm for the G1X) due to its larger sensor. Moreover, the S5 is a much more recent model (by 8 years and 7 months) than the G1X, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon G1 X are 21.8 x 16.3 inches or 55.3 x 41.5 cm for good quality, 17.4 x 13.1 inches or 44.2 x 33.2 cm for very good quality, and 14.5 x 10.9 inches or 36.8 x 27.6 cm for excellent quality prints.
Unlike the G1X, the S5 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the S5 offers substantially better image quality than the G1X (overall score 34 points higher). The advantage is based on 3.4 bits higher color depth, 3.7 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
| 2. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
| 3. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
| 4. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
| 5. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
| 6. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
| 7. | Canon T1i | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
| 8. | Canon T3 | APS-C | 12.2 | 4272 | 2848 | 720/30p | 21.9 | 11.0 | 755 | 62 | |
| 9. | Canon T4i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 722 | 62 | |
| 10. | Canon XSi | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
| 11. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
| 12. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
| 13. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
| 14. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
| 15. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
| 16. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 17. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S5 provides a better video resolution than the G1X. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/24p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S5 has an electronic viewfinder (2360k dots), while the G1X has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon G1 X, the Panasonic S5, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
| 2. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
| 3. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
| 4. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
| 5. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
| 6. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
| 7. | Canon T1i | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
| 8. | Canon T3 | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
| 9. | Canon T4i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 10. | Canon XSi | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
| 11. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
| 12. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
| 13. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
| 14. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 15. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 16. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 17. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One difference between the cameras concerns the presence of an on-board flash. The G1X has one, while the S5 does not. While the built-in flash of the G1X is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X and the S5 write their files to SDXC cards. The S5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1X only has one slot. The S5 supports UHS-II cards on its first slot and UHS-I on its second one, while the G1X cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 2. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 3. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
| 4. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
| 5. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
| 6. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 7. | Canon T1i | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
| 8. | Canon T3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 9. | Canon T4i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 10. | Canon XSi | Y | - / - | - | - | mini | 2.0 | - | - | - | |
| 11. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
| 12. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 13. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 14. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 15. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 16. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the S5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1X does not provide wifi capability.
The S5 is a recent model that features in the current product line-up of Panasonic. In contrast, the G1X has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G1X was succeeded by the Canon G1X Mark II. Further information on the features and operation of the G1X and S5 can be found, respectively, in the Canon G1 X Manual (free pdf) or the online Panasonic S5 Manual.
Review summary
So how do things add up? Is the Canon G1 X better than the Panasonic S5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon PowerShot G1 X:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Ready to shoot: Has a lens built-in, whereas the S5 requires a separate lens.
- More compact: Is smaller (117x81mm vs 133x98mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the S5).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2012).

Reasons to prefer the Panasonic Lumix DC-S5:
- More detail: Has more megapixels (24 vs 14.2MP), which boosts linear resolution by 33%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (34 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1840k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 1.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (440 versus 250) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 8 years and 7 months of technical progress since the G1X launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S5 is the clear winner of the contest (27 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X or the S5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | US$ 799 | ebay.com | |
| 2. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
| 3. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | US$ 799 | ebay.com | |
| 4. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | US$ 549 | ebay.com | |
| 5. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | US$ 449 | ebay.com | |
| 6. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | US$ 429 | ebay.com | |
| 7. | Canon T1i | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | US$ 799 | ebay.com | |
| 8. | Canon T3 | .. | 80/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2011 | US$ 449 | ebay.com | |
| 9. | Canon T4i | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2012 | US$ 849 | ebay.com | |
| 10. | Canon XSi | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | US$ 799 | ebay.com | |
| 11. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | US$ 949 | ebay.com | |
| 12. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | US$ 949 | ebay.com | |
| 13. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | US$ 1 999 | amazon.com | |
| 14. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
| 15. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
| 16. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 17. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | US$ 1 999 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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Specifications: Canon G1 X vs Panasonic S5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon G1 X | Panasonic S5 |
|---|---|---|
| Camera Type | Fixed lens compact camera | Mirrorless system camera |
| Camera Lens | 28-112mm f/2.8-5.8 | Leica L mount lenses |
| Launch Date | January 2012 | September 2020 |
| Launch Price | USD 799 | USD 1,999 |
| Sensor Specs | Canon G1 X | Panasonic S5 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | 1.5" Sensor | Full Frame Sensor |
| Sensor Size | 18.7 x 14.0 mm | 35.6 x 23.8 mm |
| Sensor Area | 261.8 mm2 | 847.28 mm2 |
| Sensor Diagonal | 23.4 mm | 42.8 mm |
| Crop Factor | 1.85x | 1.0x |
| Sensor Resolution | 14.2 Megapixels | 24 Megapixels |
| Image Resolution | 4352 x 3264 pixels | 6000 x 4000 pixels |
| Pixel Pitch | 4.30 μm | 5.94 μm |
| Pixel Density | 5.43 MP/cm2 | 2.83 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 1080/24p Video | 4K/60p Video |
| ISO Setting | 100 - 12,800 ISO | 100 - 51,200 ISO |
| ISO Boost | no Enhancement | 50 - 204,800 ISO |
| Image Processor | DIGIC 5 | Venus |
| DXO Sensor Quality (score) | 60 | 94 |
| DXO Color Depth (bits) | 21.7 | 25.1 |
| DXO Dynamic Range (EV) | 10.8 | 14.5 |
| DXO Low Light (ISO) | 644 | 2697 |
| Screen Specs | Canon G1 X | Panasonic S5 |
| Viewfinder Type | Optical viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 74% | 100% |
| Viewfinder Magnification | 0.74x | |
| Viewfinder Resolution | 2360k dots | |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 922k dots | 1840k dots |
| LCD Attachment | Swivel screen | Swivel screen |
| Touch Input | no Touchscreen | Touchscreen |
| Shooting Specs | Canon G1 X | Panasonic S5 |
| Focus System | Contrast-detect AF | Contrast-detect AF |
| Manual Focusing Aid | no Peaking Feature | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 1.9 shutter flaps/s | 7 shutter flaps/s |
| Electronic Shutter | no E-Shutter | up to 1/8000s |
| Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
| Image Stabilization | Lens-based stabilization | In-body stabilization |
| Fill Flash | Built-in Flash | no On-Board Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| UHS card support | no | Single UHS-II |
| Connectivity Specs | Canon G1 X | Panasonic S5 |
| External Flash | Hotshoe | Hotshoe |
| USB Connector | USB 2.0 | USB 3.2 |
| HDMI Port | mini HDMI | micro HDMI |
| Microphone Port | no MIC socket | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | no Wifi | Wifi built-in |
| Bluetooth Support | no Bluetooth | Bluetooth built-in |
| Body Specs | Canon G1 X | Panasonic S5 |
| Environmental Sealing | not weather sealed | Weathersealed body |
| Battery Type | Canon NB-10L | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 250 shots per charge | 440 shots per charge |
| In-Camera Charging | no USB charging | USB charging |
| Body Dimensions |
117 x 81 x 65 mm (4.6 x 3.2 x 2.6 in) |
133 x 98 x 82 mm (5.2 x 3.9 x 3.2 in) |
| Camera Weight | 534 g (18.8 oz) | 714 g (25.2 oz) |

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