Canon R5 Mark II vs Olympus PEN-F

The Canon EOS R5 Mark II and the Olympus PEN-F are two enthusiast cameras that were announced, respectively, in July 2024 and January 2016. Both the R5 Mark II and the PEN-F are mirrorless interchangeable lens cameras that are based on a full frame (R5 Mark II) and a Four Thirds (PEN-F) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R5 Mark II		Olympus PEN-F
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Micro Four Thirds lenses
44.8 MP – Full Frame sensor		20.2 MP – Four Thirds sensor
8k/60p Video		1080/60p Video
ISO 100-51,200 (50 - 102,400)		ISO 80-25,600
Electronic viewfinder (5760k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1037k dots
Swivel touchscreen		Swivel touchscreen
12 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		not weather sealed
340 shots per battery charge		330 shots per battery charge
138 x 98 x 88 mm, 746 g		125 x 72 x 37 mm, 427 g

Check R5 Mark II price at
amazon.com
Check PEN-F offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Olympus PEN-F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon R5 Mark II and the Olympus PEN-F are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The PEN-F can be obtained in two different colors (black, silver), while the R5 Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is considerably smaller (33 percent) than the Canon R5 Mark II. Moreover, the PEN-F is substantially lighter (43 percent) than the R5 Mark II. It is worth mentioning in this context that the R5 Mark II is splash and dust resistant, while the PEN-F does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the R5 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	US$ 4 299	amazon.com
2.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	US$ 1 199	ebay.com
3.		Canon R1	158 mm	150 mm	87 mm	1115 g	1330	Y	Jul 2024	US$ 6 299	amazon.com
4.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
5.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	US$ 4 499	amazon.com
6.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
7.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	US$ 2 499	amazon.com
8.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
9.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
10.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	US$ 3 999	amazon.com
11.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	US$ 1 999	ebay.com
12.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
13.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	US$ 649	ebay.com
14.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	US$ 999	ebay.com
15.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
16.		Panasonic S1R II	134 mm	102 mm	92 mm	795 g	350	Y	May 2025	US$ 3 299	amazon.com
17.		Sony A1 II	136 mm	97 mm	83 mm	743 g	520	Y	Nov 2024	US$ 6 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The PEN-F was launched at a markedly lower price (by 72 percent) than the R5 Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R5 Mark II features a full frame sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R5 Mark II has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.

With 44.8MP, the R5 Mark II offers a higher resolution than the PEN-F (20.2MP), but the R5 Mark II nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 3.34μm for the PEN-F) due to its larger sensor. Moreover, the R5 Mark II is a much more recent model (by 8 years and 5 months) than the PEN-F, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Olympus PEN-F are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The R5 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the R5 Mark II, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus PEN-F are ISO 80 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
2.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
3.		Canon R1	Full Frame	24.0	6000	4000	6K/60p	25.4	14.8	3332	97
4.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
5.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
6.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
7.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
8.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
9.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
10.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
11.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
12.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
13.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
14.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
15.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
16.		Panasonic S1R II	Full Frame	44.2	8144	5424	8K/30p	25.4	14.8	3406	97
17.		Sony A1 II	Full Frame	49.8	8640	5760	8k/30p	25.4	14.8	3363	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R5 Mark II provides a higher video resolution than the PEN-F. It can shoot video footage at 8k/60p, while the Olympus is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R5 Mark II offers a substantially higher resolution than the one in the PEN-F (5760k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Canon R5 Mark II, the Olympus PEN-F, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
2.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon R1	9440	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
6.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
8.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
9.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
10.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
11.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
12.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
13.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
14.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
15.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
16.		Panasonic S1R II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	9.0/s	n	Y
17.		Sony A1 II	9437	n	3.2 / 2100	full-flex	Y	1/8000s	30.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the R5 Mark II, but is missing on the PEN-F is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R5 Mark II and the Olympus PEN-F both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the PEN-F uses SDXC cards. The R5 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the PEN-F only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Olympus PEN-F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
2.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon R1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
4.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
5.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
9.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
12.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
16.		Panasonic S1R II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the R5 Mark II has a microphone port, which is missing on the PEN-F. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Canon R5 Mark II (unlike the PEN-F) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The R5 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the PEN-F has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the PEN-F from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon R5 Mark II and the Olympus PEN-F? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS R5 Mark II:

• More detail: Offers more megapixels (44.8 vs 20.2MP) with a 52% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8k/60p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.62x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1037k dots).
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 8 years and 5 months of technical progress since the PEN-F launch.

Arguments in favor of the Olympus PEN-F:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• More compact: Is smaller (125x72mm vs 138x98mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 319g or 43 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in January 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the R5 Mark II is the clear winner of the match-up (24 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R5 Mark II and the Olympus PEN-F place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the R5 Mark II or the PEN-F perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	US$ 4 299	amazon.com
2.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
3.		Canon R1	..	..	..	..	..	..	Jul 2024	US$ 6 299	amazon.com
4.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
5.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	US$ 4 499	amazon.com
6.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
7.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	US$ 2 499	amazon.com
8.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
9.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
10.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
11.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 1 999	ebay.com
12.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
13.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
14.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	US$ 999	ebay.com
15.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
16.		Panasonic S1R II	..	..	..	..	..	..	May 2025	US$ 3 299	amazon.com
17.		Sony A1 II	..	..	..	..	..	..	Nov 2024	US$ 6 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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