Canon R5 Mark II vs Sony ZV-E10

The Canon EOS R5 Mark II and the Sony ZV-E10 are two digital cameras that were announced, respectively, in July 2024 and July 2021. Both the R5 Mark II and the ZV-E10 are mirrorless interchangeable lens cameras that are based on a full frame (R5 Mark II) and an APS-C (ZV-E10) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R5 Mark II		Sony ZV-E10
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Sony E mount lenses
44.8 MP – Full Frame sensor		24 MP – APS-C sensor
8k/60p Video		4K/30p Video
ISO 100-51,200 (50 - 102,400)		ISO 100-32,000 (100 - 51,200)
Electronic viewfinder (5760k dots)		No viewfinder, LCD framing
3.2" LCD – 2100k dots		3.0" LCD – 922k dots
Swivel touchscreen		Swivel touchscreen
12 shutter flaps per second		11 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
340 shots per battery charge		440 shots per battery charge
138 x 98 x 88 mm, 746 g		115 x 64 x 45 mm, 343 g

Check R5 Mark II price at
amazon.com
Check ZV-E10 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Sony ZV-E10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon R5 Mark II and the Sony ZV-E10. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The ZV-E10 can be obtained in two different colors (black, white), while the R5 Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E10 is considerably smaller (46 percent) than the Canon R5 Mark II. Moreover, the ZV-E10 is substantially lighter (54 percent) than the R5 Mark II. It is worth mentioning in this context that the R5 Mark II is splash and dust resistant, while the ZV-E10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	EUR 4 799	amazon.com
2.		Sony ZV-E10	115 mm	64 mm	45 mm	343 g	440	n	Jul 2021	EUR 749	amazon.com
3.		Canon R1	158 mm	150 mm	87 mm	1115 g	1330	Y	Jul 2024	EUR 7 499	amazon.com
4.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	EUR 4 499	amazon.com
5.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	EUR 4 999	amazon.com
6.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	EUR 2 699	amazon.com
7.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	EUR 2 899	amazon.com
8.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	EUR 3 999	amazon.com
9.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	EUR 5 499	amazon.com
10.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	EUR 4 599	amazon.com
11.		Panasonic S1R II	134 mm	102 mm	92 mm	795 g	350	Y	May 2025	EUR 3 599	amazon.com
12.		Sony A1 II	136 mm	97 mm	83 mm	743 g	520	Y	Nov 2024	EUR 7 499	amazon.com
13.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	EUR 499	ebay.com
14.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	EUR 549	ebay.com
15.		Sony A6100	120 mm	67 mm	59 mm	396 g	420	n	Aug 2019	EUR 899	ebay.com
16.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	EUR 849	ebay.com
17.		Sony ZV-1	105 mm	60 mm	44 mm	294 g	260	n	May 2020	EUR 799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZV-E10 was launched at a markedly lower price (by 84 percent) than the R5 Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon R5 Mark II features a full frame sensor and the Sony ZV-E10 an APS-C sensor. The sensor area in the ZV-E10 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 44.8MP, the R5 Mark II offers a higher resolution than the ZV-E10 (24MP), but the R5 Mark II nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 3.91μm for the ZV-E10) due to its larger sensor. Moreover, the R5 Mark II is a much more recent model (by 2 years and 11 months) than the ZV-E10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Sony ZV-E10 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony ZV-E10 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
2.		Sony ZV-E10	APS-C	24.0	6000	4000	4K/30p	24.2	13.8	2134	85
3.		Canon R1	Full Frame	24.0	6000	4000	6K/60p	25.4	14.8	3332	97
4.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
5.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
6.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
7.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
8.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
9.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
10.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
11.		Panasonic S1R II	Full Frame	44.2	8144	5424	8K/30p	25.4	14.8	3406	97
12.		Sony A1 II	Full Frame	49.8	8640	5760	8k/30p	25.4	14.8	3363	97
13.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
14.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
15.		Sony A6100	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1947	84
16.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
17.		Sony ZV-1	1-inch	20.0	5472	3648	4K/30p	22.2	12.6	669	66
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R5 Mark II provides a higher video resolution than the ZV-E10. It can shoot video footage at 8k/60p, while the Sony is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the R5 Mark II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon R5 Mark II, the Sony ZV-E10, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
2.		Sony ZV-E10	none	n	3.0 / 922	swivel	Y	1/4000s	11.0/s	n	n
3.		Canon R1	9440	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
6.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
8.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
9.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
10.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
11.		Panasonic S1R II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	9.0/s	n	Y
12.		Sony A1 II	9437	n	3.2 / 2100	full-flex	Y	1/8000s	30.0/s	n	Y
13.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
14.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony A6100	1440	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
16.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony ZV-1	none	n	3.0 / 922	swivel	Y	1/2000s	24.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the R5 Mark II, but is missing on the ZV-E10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R5 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the ZV-E10 uses SDXC or Memory Stick PRO Duo cards. The R5 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZV-E10 only has one slot. The R5 Mark II supports UHS-II cards (on both slots), while the ZV-E10 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Sony ZV-E10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
2.		Sony ZV-E10	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
3.		Canon R1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
4.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
5.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
9.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Panasonic S1R II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
12.		Sony A1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony A6100	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
16.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony ZV-1	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y

Studio photographers will appreciate that the Canon R5 Mark II (unlike the ZV-E10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the R5 Mark II and the ZV-E10 are recent models that are part of the current product line-up. The R5 Mark II replaced the earlier Canon R5, while the ZV-E10 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.

Review summary

So how do things add up? Is the Canon R5 Mark II better than the Sony ZV-E10 or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS R5 Mark II:

• More detail: Offers more megapixels (44.8 vs 24MP) with a 37% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8k/60p vs 4K/30p).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 922k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 2 years and 11 months of technical progress since the ZV-E10 launch.

Arguments in favor of the Sony ZV-E10:

• More compact: Is smaller (115x64mm vs 138x98mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 403g or 54 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (440 versus 340) out of a single battery charge.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in July 2021).

If the count of relative strengths (bullet points above) is taken as a measure, the R5 Mark II is the clear winner of the match-up (19 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R5 Mark II and the Sony ZV-E10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R5 Mark II or the ZV-E10. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	EUR 4 799	amazon.com
2.		Sony ZV-E10	4/5	..	4/5	82/100	4.5/5	4.5/5	Jul 2021	EUR 749	amazon.com
3.		Canon R1	..	..	..	..	..	..	Jul 2024	EUR 7 499	amazon.com
4.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	EUR 4 499	amazon.com
5.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	EUR 4 999	amazon.com
6.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	EUR 2 699	amazon.com
7.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	EUR 2 899	amazon.com
8.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	EUR 3 999	amazon.com
9.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	EUR 5 499	amazon.com
10.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	EUR 4 599	amazon.com
11.		Panasonic S1R II	..	..	..	..	..	..	May 2025	EUR 3 599	amazon.com
12.		Sony A1 II	..	..	..	..	..	..	Nov 2024	EUR 7 499	amazon.com
13.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	EUR 499	ebay.com
14.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	EUR 549	ebay.com
15.		Sony A6100	..	..	4/5	82/100	4/5	5/5	Aug 2019	EUR 899	ebay.com
16.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	EUR 849	ebay.com
17.		Sony ZV-1	4/5	+	4/5	85/100	4/5	4.5/5	May 2020	EUR 799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check R5 Mark II price at
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Other camera comparisons

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