Epson R-D1 vs Panasonic G5
The Epson R-D1 and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in March 2004 and July 2012. The R-D1 is a rangefinder-focusing mirrorless, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (R-D1) and a Four Thirds (G5) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Epson R-D1 and the Panasonic G5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the R-D1 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably smaller (21 percent) than the Epson R-D1. Moreover, the G5 is substantially lighter (36 percent) than the R-D1. In this context, it is worth noting that neither the R-D1 nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Micro Four Thirds Lens Catalog (G5).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | 142 mm | 89 mm | 40 mm | 620 g | .. | n | Mar 2004 | US$ 2 999 | ebay.com | |
| 2. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | US$ 599 | ebay.com | |
| 3. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | US$ 899 | ebay.com | |
| 4. | Leica CL | 131 mm | 78 mm | 45 mm | 403 g | 220 | n | Nov 2017 | US$ 2 795 | ebay.com | |
| 5. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | US$ 7 999 | ebay.com | |
| 6. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | US$ 6 599 | ebay.com | |
| 7. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | US$ 2 849 | ebay.com | |
| 8. | Leica X-U Typ 113 | 140 mm | 79 mm | 88 mm | 635 g | 450 | Y | Jan 2016 | US$ 2 949 | ebay.com | |
| 9. | Nikon D40 | 124 mm | 94 mm | 64 mm | 522 g | 470 | n | Nov 2006 | US$ 499 | ebay.com | |
| 10. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | US$ 749 | ebay.com | |
| 11. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | US$ 999 | ebay.com | |
| 12. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | US$ 899 | ebay.com | |
| 13. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | US$ 599 | ebay.com | |
| 14. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | US$ 599 | ebay.com | |
| 15. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | US$ 499 | ebay.com | |
| 16. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | US$ 699 | ebay.com | |
| 17. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | US$ 549 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G5 was launched at a markedly lower price (by 80 percent) than the R-D1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.

Despite having a smaller sensor, the G5 offers a higher resolution of 15.9 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 7.85μm for the R-D1). However, it should be noted that the G5 is much more recent (by 8 years and 4 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic G5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
In terms of underlying technology, the R-D1 is build around a CCD sensor, while the G5 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | APS-C | 6.0 | 3008 | 2000 | none | 21.1 | 10.4 | 564 | 55 | |
| 2. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
| 3. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
| 4. | Leica CL | APS-C | 24.1 | 6014 | 4014 | 4K/30p | 24.0 | 13.3 | 1788 | 82 | |
| 5. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
| 6. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
| 7. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
| 8. | Leica X-U Typ 113 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.8 | 13.0 | 1614 | 80 | |
| 9. | Nikon D40 | APS-C | 6.0 | 3008 | 2000 | none | 21.0 | 11.0 | 561 | 56 | |
| 10. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
| 11. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
| 12. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
| 13. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
| 14. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
| 15. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
| 16. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
| 17. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. The G5 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the G5 can use is 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Epson R-D1 and Panasonic G5 in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | optical | n | 2.0 / 235 | fixed | n | 1/2000s | 1.0/s | n | n | |
| 2. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
| 3. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
| 4. | Leica CL | 2360 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 10.0/s | n | n | |
| 5. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
| 6. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
| 7. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
| 8. | Leica X-U Typ 113 | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
| 9. | Nikon D40 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
| 10. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
| 11. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
| 12. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
| 13. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
| 14. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
| 15. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
| 16. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
| 17. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The G5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the R-D1 does not have a selfie-screen.The R-D1 writes its imaging data to SDHC cards, while the G5 uses SDXC cards. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | Y | - / - | - | - | - | - | - | - | - | |
| 2. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 3. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
| 4. | Leica CL | Y | stereo / mono | - | - | - | - | Y | - | - | |
| 5. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 6. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
| 7. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 8. | Leica X-U Typ 113 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
| 9. | Nikon D40 | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 10. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 11. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
| 12. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
| 13. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 14. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
| 15. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
| 16. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 17. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - |
Studio photographers will appreciate that the Epson R-D1 (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R-D1 and the G5 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the R-D1 does not have a direct successor. Further information on the features and operation of the R-D1 and G5 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Panasonic G5 Manual.
Review summary
So what conclusions can be drawn? Is the Epson R-D1 better than the Panasonic G5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Epson R-D1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).

Advantages of the Panasonic Lumix DMC-G5:
- More detail: Has more megapixels (15.9 vs 6MP), which boosts linear resolution by 59%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 235k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 1 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x83mm vs 142x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 224g or 36 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 8 years and 4 months of technical progress since the R-D1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G5 is the clear winner of the contest (16 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R-D1 or the G5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Epson R-D1 | .. | .. | .. | .. | .. | .. | Mar 2004 | US$ 2 999 | ebay.com | |
| 2. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | US$ 599 | ebay.com | |
| 3. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | US$ 899 | ebay.com | |
| 4. | Leica CL | .. | .. | 4.2/5 | .. | .. | 4/5 | Nov 2017 | US$ 2 795 | ebay.com | |
| 5. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | US$ 7 999 | ebay.com | |
| 6. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | US$ 6 599 | ebay.com | |
| 7. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | US$ 2 849 | ebay.com | |
| 8. | Leica X-U Typ 113 | 3.5/5 | .. | .. | .. | .. | 3.5/5 | Jan 2016 | US$ 2 949 | ebay.com | |
| 9. | Nikon D40 | .. | 81/100 | .. | + + | o | 4.5/5 | Nov 2006 | US$ 499 | ebay.com | |
| 10. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | US$ 749 | ebay.com | |
| 11. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | US$ 999 | ebay.com | |
| 12. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | US$ 899 | ebay.com | |
| 13. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | US$ 599 | ebay.com | |
| 14. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | US$ 599 | ebay.com | |
| 15. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | US$ 499 | ebay.com | |
| 16. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | US$ 699 | ebay.com | |
| 17. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | US$ 549 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Panasonic G5
- Epson R-D1 vs Fujifilm X-Pro2
- Epson R-D1 vs Fujifilm X-T100
- Epson R-D1 vs Fujifilm X30
- Epson R-D1 vs Nikon D5300
- Epson R-D1 vs Panasonic GX800
- Epson R-D1 vs Sony H400
- Leica T vs Panasonic G5
- Nikon Z9 vs Panasonic G5
- Olympus E-P3 vs Panasonic G5
- Panasonic G5 vs Sony NEX-5N
- Panasonic G5 vs Sony WX800
Specifications: Epson R-D1 vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Epson R-D1 | Panasonic G5 |
|---|---|---|
| Camera Type | Rangefinder camera | Mirrorless system camera |
| Camera Lens | Leica M mount lenses | Micro Four Thirds lenses |
| Launch Date | March 2004 | July 2012 |
| Launch Price | USD 2,999 | USD 599 |
| Sensor Specs | Epson R-D1 | Panasonic G5 |
| Sensor Technology | CCD | CMOS |
| Sensor Format | APS-C Sensor | Four Thirds Sensor |
| Sensor Size | 23.7 x 15.6 mm | 17.3 x 13.0 mm |
| Sensor Area | 369.72 mm2 | 224.9 mm2 |
| Sensor Diagonal | 28.4 mm | 21.6 mm |
| Crop Factor | 1.5x | 2.0x |
| Sensor Resolution | 6 Megapixels | 15.9 Megapixels |
| Image Resolution | 3008 x 2000 pixels | 4608 x 3456 pixels |
| Pixel Pitch | 7.85 μm | 3.76 μm |
| Pixel Density | 1.63 MP/cm2 | 7.08 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | no Video | 1080/60p Video |
| ISO Setting | 200 - 1,600 ISO | 160 - 12,800 ISO |
| DXO Sensor Quality (score) | .. | 61 |
| DXO Color Depth (bits) | .. | 21.4 |
| DXO Dynamic Range (EV) | .. | 11.6 |
| DXO Low Light (ISO) | .. | 618 |
| Screen Specs | Epson R-D1 | Panasonic G5 |
| Viewfinder Type | Optical viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.70x | |
| Viewfinder Resolution | 1440k dots | |
| LCD Framing | Live View | |
| Rear LCD Size | 2.0inch | 3.0inch |
| LCD Resolution | 235k dots | 920k dots |
| LCD Attachment | Fixed screen | Swivel screen |
| Touch Input | no Touchscreen | Touchscreen |
| Shooting Specs | Epson R-D1 | Panasonic G5 |
| Focus System | Manual Focus | Contrast-detect AF |
| Continuous Shooting | 1 shutter flaps/s | 6 shutter flaps/s |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | SDHC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Single card slot |
| UHS card support | no | UHS-I |
| Connectivity Specs | Epson R-D1 | Panasonic G5 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | no USB | USB 2.0 |
| HDMI Port | no HDMI | mini HDMI |
| Wifi Support | no Wifi | no Wifi |
| Body Specs | Epson R-D1 | Panasonic G5 |
| Battery Type | Epson EU-85 | Panasonic DMW-BLC12 |
| Body Dimensions |
142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in) |
120 x 83 x 71 mm (4.7 x 3.3 x 2.8 in) |
| Camera Weight | 620 g (21.9 oz) | 396 g (14.0 oz) |

Check R-D1 offers at
ebay.com

Check G5 offers at
ebay.com
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