Fujifilm GFX 100S II vs Sony RX100 VII

The Fujifilm GFX 100S II and the Sony Cyber-shot DSC-RX100 VII are two digital cameras that were officially introduced, respectively, in May 2024 and July 2019. The GFX 100S II is a mirrorless interchangeable lens camera, while the RX100 VII is a fixed lens compact. The cameras are based on a medium format (GFX 100S II) and an one-inch (RX100 VII) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Sony provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100S II		Sony RX100 VII
Mirrorless system camera		Fixed lens compact camera
Fujifilm G mount lenses		24-200mm f/2.8-4.5
101.8 MP – Medium Format sensor		20 MP – 1" sensor
4K/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 125-12,800 (80 - 25,600)
Electronic viewfinder (5760k dots)		Electronic viewfinder (2359k dots)
3.2" LCD – 2360k dots		3.0" LCD – 921k dots
Fully flexible touchscreen		Tilting touchscreen
7 shutter flaps per second		90 shutter flaps per second
In-body stabilization		Lens-based stabilization
Weathersealed body		not weather sealed
530 shots per battery charge		260 shots per battery charge
150 x 104 x 87 mm, 883 g		102 x 58 x 43 mm, 302 g

Check GFX 100S II price at
amazon.com
Check RX100 VII price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S II and the Sony Cyber-shot DSC-RX100 VII? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100S II and the Sony RX100 VII is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VII is considerably smaller (62 percent) than the Fujifilm GFX 100S II. It is worth mentioning in this context that the GFX 100S II is splash and dust resistant, while the RX100 VII does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VII has a lens built in, whereas the GFX 100S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 100S II gets 530 shots out of its Fujifilm NP-W235 battery, while the RX100 VII can take 260 images on a single charge of its Sony NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
2.		Sony RX100 VII	102 mm	58 mm	43 mm	302 g	260	n	Jul 2019	US$ 1 199	amazon.com
3.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	US$ 4 299	amazon.com
5.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100RF	134 mm	90 mm	77 mm	735 g	820	Y	Mar 2025	US$ 4 899	amazon.com
10.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
11.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
12.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
13.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	US$ 749	ebay.com
14.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	US$ 799	ebay.com
15.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	US$ 999	ebay.com
16.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	US$ 999	ebay.com
17.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	US$ 1 199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX100 VII was launched at a lower price than the GFX 100S II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S II features a medium format sensor and the Sony RX100 VII an one-inch sensor. The sensor area in the RX100 VII is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 100S II has a native 4:3 aspect ratio, while the one in the RX100 VII offers a 3:2 aspect.

With 101.8MP, the GFX 100S II offers a higher resolution than the RX100 VII (20MP), but the GFX 100S II nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.41μm for the RX100 VII) due to its larger sensor. Moreover, the GFX 100S II is a much more recent model (by 4 years and 9 months) than the RX100 VII, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Sony RX100 VII are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

Unlike the RX100 VII, the GFX 100S II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VII are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
2.		Sony RX100 VII	1-inch	20.0	5472	3648	4K/30p	21.8	12.4	418	63
3.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
4.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
5.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
6.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
7.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
8.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
9.		Fujifilm GFX 100RF	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3805	101
10.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
11.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
12.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
13.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
14.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
15.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
16.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
17.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100S II offers a substantially higher resolution than the one in the RX100 VII (5760k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100S II, the Sony RX100 VII, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
2.		Sony RX100 VII	2359	n	3.0 / 921	tilting	Y	1/2000s	90.0/s	Y	Y
3.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
7.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
9.		Fujifilm GFX 100RF	5760	n	3.2 / 2100	tilting	Y	1/4000s	6.0/s	n	n
10.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
11.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
12.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
13.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
14.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
15.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
16.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
17.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100S II, but is missing on the RX100 VII is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S II and the Sony RX100 VII both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100S II writes its imaging data to SDXC cards, while the RX100 VII uses SDXC or Memory Stick PRO Duo cards. The GFX 100S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 VII only has one slot. The GFX 100S II supports UHS-II cards (on both slots), while the RX100 VII can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S II and Sony Cyber-shot DSC-RX100 VII and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Sony RX100 VII	-	stereo / mono	Y	-	micro	2.0	Y	Y	Y
3.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
5.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
6.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
7.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Fujifilm GFX 100RF	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
12.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y

It is notable that the GFX 100S II has a hotshoe, while the RX100 VII does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 100S II (unlike the RX100 VII) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100S II and the RX100 VII are recent models that are part of the current product line-up. The RX100 VII replaced the earlier Sony RX100 VI, while the GFX 100S II followed on from the Fujifilm GFX 100S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 100S II and the Sony RX100 VII? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Fujifilm GFX 100S II:

• More detail: Offers more megapixels (101.8 vs 20MP) with a 121% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2359k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.84x vs 0.59x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (530 versus 260) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 9 months of technical progress since the RX100 VII launch.

Arguments in favor of the Sony Cyber-shot DSC-RX100 VII:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (90 vs 7 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the GFX 100S II necessitates an extra lens.
• More compact: Is smaller (102x58mm vs 150x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100S II).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2019).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100S II is the clear winner of the match-up (24 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100S II and the Sony RX100 VII place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GFX 100S II or the RX100 VII perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
2.		Sony RX100 VII	4.5/5	..	4/5	..	4/5	5/5	Jul 2019	US$ 1 199	amazon.com
3.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	US$ 4 299	amazon.com
5.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100RF	..	..	..	..	..	..	Mar 2025	US$ 4 899	amazon.com
10.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
11.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
12.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
13.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	US$ 749	ebay.com
14.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	US$ 799	ebay.com
15.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	US$ 999	ebay.com
16.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	US$ 999	ebay.com
17.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	US$ 1 199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 100S II price at
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Check RX100 VII price at
amazon.com

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Check GFX 100S II price at
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Check RX100 VII price at
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