Fujifilm X-T1 vs Panasonic S5 II
The Fujifilm X-T1 and the Panasonic Lumix DC-S5 II are two enthusiast cameras that were announced, respectively, in January 2014 and January 2023. Both the X-T1 and the S5 II are mirrorless interchangeable lens cameras that are based on an APS-C (X-T1) and a full frame (S5 II) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check X-T1 offers at
ebay.com

Check S5 II price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T1 and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-T1 and the Panasonic S5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-T1 can be obtained in two different colors (black, silver), while the S5 II is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is notably larger (18 percent) than the Fujifilm X-T1. Moreover, the S5 II is substantially heavier (68 percent) than the X-T1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-T1 gets 350 shots out of its Fujifilm NP-W126 battery, while the S5 II can take 370 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S5 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T1 | 129 mm | 90 mm | 47 mm | 440 g | 350 | Y | Jan 2014 | US$ 1 299 | ebay.com | |
| 2. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 3. | Fujifilm X-A1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Sep 2013 | US$ 399 | ebay.com | |
| 4. | Fujifilm X-A2 | 117 mm | 67 mm | 40 mm | 350 g | 410 | n | Jan 2015 | US$ 399 | ebay.com | |
| 5. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | US$ 999 | ebay.com | |
| 6. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | US$ 699 | ebay.com | |
| 7. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | US$ 1 699 | ebay.com | |
| 8. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | US$ 1 699 | ebay.com | |
| 9. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | US$ 1 599 | ebay.com | |
| 10. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | US$ 799 | ebay.com | |
| 11. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | US$ 1 299 | ebay.com | |
| 12. | Fujifilm X100T | 127 mm | 74 mm | 52 mm | 440 g | 330 | n | Sep 2014 | US$ 1 299 | ebay.com | |
| 13. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
| 14. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
| 15. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
| 16. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | US$ 2 199 | amazon.com | |
| 17. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-T1 was launched at a markedly lower price (by 35 percent) than the S5 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T1 features an APS-C sensor and the Panasonic S5 II a full frame sensor. The sensor area in the S5 II is 130 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the S5 II offers a higher resolution than the X-T1 (16MP), but the S5 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.80μm for the X-T1) due to its larger sensor. Moreover, the S5 II is a much more recent model (by 8 years and 11 months) than the X-T1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic S5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-T1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
Unlike the X-T1, the S5 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the X-T1 is build around a CMOS sensor, while the S5 II uses a BSI-CMOS imager. The X-T1 uses Fujifilm's X-Trans layout of photosites, while the S5 II employs the more common Bayer array.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T1 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.5 | 12.7 | 1426 | 77 | |
| 2. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 3. | Fujifilm X-A1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1390 | 76 | |
| 4. | Fujifilm X-A2 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.6 | 12.8 | 1515 | 79 | |
| 5. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.4 | 12.6 | 1400 | 77 | |
| 6. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1371 | 76 | |
| 7. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
| 8. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
| 9. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
| 10. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
| 11. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
| 12. | Fujifilm X100T | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.6 | 12.8 | 1483 | 78 | |
| 13. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
| 14. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 15. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
| 16. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 17. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S5 II provides a better video resolution than the X-T1. It can shoot movie footage at 6K/30p, while the Fujifilm is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S5 II offers a substantially higher resolution than the one in the X-T1 (3680k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-T1, the Panasonic S5 II, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T1 | 2360 | n | 3.0 / 1040 | tilting | n | 1/4000s | 8.0/s | n | n | |
| 2. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 3. | Fujifilm X-A1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
| 4. | Fujifilm X-A2 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
| 5. | Fujifilm X-E2 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
| 6. | Fujifilm X-M1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
| 7. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
| 8. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
| 9. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
| 10. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
| 11. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
| 12. | Fujifilm X100T | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 6.0/s | Y | n | |
| 13. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 14. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 15. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 16. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 17. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The S5 II has a touchscreen, while the X-T1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The S5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-T1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T1 and the Panasonic S5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-T1 and the S5 II write their files to SDXC cards. The S5 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T1 only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T1 and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T1 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 2. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 3. | Fujifilm X-A1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
| 4. | Fujifilm X-A2 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
| 5. | Fujifilm X-E2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 6. | Fujifilm X-M1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | Y | |
| 7. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 8. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 9. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
| 10. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 11. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
| 12. | Fujifilm X100T | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 13. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 14. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 16. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y |
It is notable that the S5 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-T1 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm X-T1 (unlike the S5 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S5 II is a recent model that features in the current product line-up of Panasonic. In contrast, the X-T1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-T1 was succeeded by the Fujifilm X-T2. Further information on the features and operation of the X-T1 and S5 II can be found, respectively, in the Fujifilm X-T1 Manual (free pdf) or the online Panasonic S5 II Manual.
Review summary
So what is the bottom line? Is the Fujifilm X-T1 better than the Panasonic S5 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm X-T1:
- More compact: Is smaller (129x90mm vs 134x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 300g or 41 percent) and hence easier to carry around.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2014).

Reasons to prefer the Panasonic Lumix DC-S5 II:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.77x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 8 years and 11 months of technical progress since the X-T1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the S5 II is the clear winner of the contest (23 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T1 and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-T1 or the S5 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T1 | 5/5 | + + | .. | 84/100 | 5/5 | 5/5 | Jan 2014 | US$ 1 299 | ebay.com | |
| 2. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 3. | Fujifilm X-A1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2013 | US$ 399 | ebay.com | |
| 4. | Fujifilm X-A2 | 4/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | US$ 399 | ebay.com | |
| 5. | Fujifilm X-E2 | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | US$ 999 | ebay.com | |
| 6. | Fujifilm X-M1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | US$ 699 | ebay.com | |
| 7. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | US$ 1 699 | ebay.com | |
| 8. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 1 699 | ebay.com | |
| 9. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | US$ 1 599 | ebay.com | |
| 10. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | US$ 799 | ebay.com | |
| 11. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | US$ 1 299 | ebay.com | |
| 12. | Fujifilm X100T | 5/5 | + | .. | 81/100 | 4.5/5 | 5/5 | Sep 2014 | US$ 1 299 | ebay.com | |
| 13. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
| 14. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
| 15. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
| 16. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 199 | amazon.com | |
| 17. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check X-T1 offers at
ebay.com

Check S5 II price at
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Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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Specifications: Fujifilm X-T1 vs Panasonic S5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm X-T1 | Panasonic S5 II |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Fujifilm X mount lenses | Leica L mount lenses |
| Launch Date | January 2014 | January 2023 |
| Launch Price | USD 1,299 | USD 1,999 |
| Sensor Specs | Fujifilm X-T1 | Panasonic S5 II |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | APS-C Sensor | Full Frame Sensor |
| Sensor Size | 23.6 x 15.6 mm | 35.6 x 23.8 mm |
| Sensor Area | 368.16 mm2 | 847.28 mm2 |
| Sensor Diagonal | 28.3 mm | 42.8 mm |
| Crop Factor | 1.5x | 1.0x |
| Sensor Resolution | 16 Megapixels | 24 Megapixels |
| Image Resolution | 4896 x 3264 pixels | 6000 x 4000 pixels |
| Pixel Pitch | 4.80 μm | 5.94 μm |
| Pixel Density | 4.34 MP/cm2 | 2.83 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 1080/60p Video | 6K/30p Video |
| ISO Setting | 200 - 6,400 ISO | 100 - 51,200 ISO |
| ISO Boost | 100 - 51,200 ISO | 50 - 204,800 ISO |
| Image Processor | EXR Processor II | Venus |
| Screen Specs | Fujifilm X-T1 | Panasonic S5 II |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.77x | 0.78x |
| Viewfinder Resolution | 2360k dots | 3680k dots |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1040k dots | 1840k dots |
| LCD Attachment | Tilting screen | Swivel screen |
| Touch Input | no Touchscreen | Touchscreen |
| Shooting Specs | Fujifilm X-T1 | Panasonic S5 II |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 8 shutter flaps/s | 9 shutter flaps/s |
| Electronic Shutter | YES | up to 1/8000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | Lens stabilization only | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| UHS card support | UHS-II | Dual UHS-II |
| Connectivity Specs | Fujifilm X-T1 | Panasonic S5 II |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 2.0 | USB 3.2 |
| HDMI Port | mini HDMI | full HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | no Bluetooth | Bluetooth built-in |
| Body Specs | Fujifilm X-T1 | Panasonic S5 II |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Fujifilm NP-W126 | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 350 shots per charge | 370 shots per charge |
| In-Camera Charging | no USB charging | USB charging |
| Body Dimensions |
129 x 90 x 47 mm (5.1 x 3.5 x 1.9 in) |
134 x 102 x 90 mm (5.3 x 4.0 x 3.5 in) |
| Camera Weight | 440 g (15.5 oz) | 740 g (26.1 oz) |

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