Panasonic GF1 vs GH6

The Panasonic Lumix DMC-GF1 and the Panasonic Lumix DC-GH6 are two digital cameras that were announced, respectively, in September 2009 and February 2022. Both the GF1 and the GH6 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The GF1 has a resolution of 12 megapixels, whereas the GH6 provides 25 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF1		Panasonic GH6
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Micro Four Thirds lenses
12 MP – Four Thirds sensor		25 MP – Four Thirds sensor
720/30p Video		5.7K/60p Video
ISO 100-3,200		ISO 100-25,600
Viewfinder optional		Electronic viewfinder (3680k dots)
3.0" LCD – 460k dots		3.0" LCD – 1840k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
3 shutter flaps per second		14 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
380 shots per battery charge		360 shots per battery charge
119 x 71 x 36 mm, 385 g		138 x 100 x 100 mm, 823 g

Check GF1 offers at
ebay.com
Check GH6 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF1 and the Panasonic Lumix DC-GH6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GF1 and the Panasonic GH6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH6 is considerably larger (63 percent) than the Panasonic GF1. Moreover, the GH6 is substantially heavier (114 percent) than the GF1. It is noteworthy in this context that the GH6 is splash and dust-proof, while the GF1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF1 gets 380 shots out of its Panasonic DMW-BLB13 battery, while the GH6 can take 360 images on a single charge of its Panasonic DMW-BLK22 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	EUR 649	ebay.com
2.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	EUR 2 199	amazon.com
3.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	EUR 699	ebay.com
4.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	EUR 699	ebay.com
5.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	EUR 499	ebay.com
6.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	EUR 549	ebay.com
7.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	EUR 549	ebay.com
8.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	EUR 1 899	amazon.com
9.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	EUR 499	ebay.com
10.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	EUR 499	ebay.com
11.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	EUR 799	ebay.com
12.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	EUR 899	ebay.com
13.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	EUR 1 699	amazon.com
15.		Panasonic GH7	138 mm	100 mm	100 mm	805 g	380	Y	Jun 2024	EUR 2 199	amazon.com
16.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	EUR 599	ebay.com
17.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	EUR 2 199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF1 was launched at a markedly lower price (by 66 percent) than the GH6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the GH6 offers a higher resolution of 25 megapixels, compared with 12 MP of the GF1. This megapixels advantage translates into a 44 percent gain in linear resolution. On the other hand, these sensor specs imply that the GH6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 4.33μm for the GF1). However, it should be noted that the GH6 is much more recent (by 12 years and 5 months) than the GF1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the GH6 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic GH6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH6 for good quality output (200 dots per inch) amounts to 28.9 x 21.7 inches or 73.4 x 55.1 cm, for very good quality (250 dpi) 23.1 x 17.3 inches or 58.7 x 44.1 cm, and for excellent quality (300 dpi) 19.3 x 14.5 inches or 48.9 x 36.7 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

Unlike the GF1, the GH6 has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-GF1 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DC-GH6 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
2.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
3.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
4.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
5.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
6.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
7.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
8.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
9.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
10.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
11.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
12.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
13.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
14.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
15.		Panasonic GH7	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.6	1784	78
16.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
17.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH6 provides a better video resolution than the GF1. It can shoot movie footage at 5.7K/60p, while the GF1 is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH6 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF1 relies on live view and the rear LCD for framing. That said, the GF1 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Panasonic GF1, the Panasonic GH6, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
2.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
3.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
4.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
5.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
6.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
7.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
8.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
9.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
10.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
11.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
12.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
13.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
14.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
15.		Panasonic GH7	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
16.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
17.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GF1 has one, while the GH6 does not. While the built-in flash of the GF1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GH6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GF1 writes its imaging data to SDHC cards, while the GH6 uses CFexpress (type B) or SDXC cards. The GH6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF1 only has one slot. The GH6 supports UHS-II cards (on both slots), while the GF1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF1 and Panasonic Lumix DC-GH6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
5.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
6.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
10.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
12.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic GH7	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GH6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF1 does not provide wifi capability.

Studio photographers will appreciate that the Panasonic GH6 (unlike the GF1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GH6 is a recent model that features in the current product line-up of Panasonic. In contrast, the GF1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF1 was succeeded by the Panasonic DMC-GF2. Further information on the features and operation of the GF1 and GH6 can be found, respectively, in the Panasonic GF1 Manual (free pdf) or the online Panasonic GH6 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic GF1 and the Panasonic GH6? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DMC-GF1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (119x71mm vs 138x100mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 438g or 53 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2009).

Arguments in favor of the Panasonic Lumix DC-GH6:

• More detail: Has more megapixels (25 vs 12MP), which boosts linear resolution by 44%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher definition movie capture (5.7K/60p vs 720/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 460k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 12 years and 5 months of technical progress since the GF1 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the GH6 is the clear winner of the contest (25 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF1 and the Panasonic GH6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF1 or the GH6. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	EUR 649	ebay.com
2.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	EUR 2 199	amazon.com
3.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	EUR 699	ebay.com
4.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	EUR 699	ebay.com
5.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	EUR 499	ebay.com
6.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	EUR 549	ebay.com
7.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	EUR 549	ebay.com
8.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	EUR 1 899	amazon.com
9.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	EUR 499	ebay.com
10.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	EUR 499	ebay.com
11.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	EUR 799	ebay.com
12.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	EUR 899	ebay.com
13.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	EUR 1 699	amazon.com
15.		Panasonic GH7	..	..	..	..	..	..	Jun 2024	EUR 2 199	amazon.com
16.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	EUR 599	ebay.com
17.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	EUR 2 199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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