Panasonic GF3 vs LX15
The Panasonic Lumix DMC-GF3 and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were officially introduced, respectively, in June 2011 and September 2016. The GF3 is a mirrorless interchangeable lens camera, while the LX15 is a fixed lens compact. The cameras are based on a Four Thirds (GF3) and an one-inch (LX15) sensor. The GF3 has a resolution of 12 megapixels, whereas the LX15 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check GF3 offers at
ebay.com

Check LX15 price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF3 and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic GF3 and the Panasonic LX15 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GF3 can be obtained in five different colors (black, brown, pink, red, white), while the LX15 is available in two color-versions (black, silver).



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is notably smaller (12 percent) than the Panasonic GF3. In this context, it is worth noting that neither the GF3 nor the LX15 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the GF3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF3 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GF3 gets 300 shots out of its Panasonic DMW-BLE9 battery, while the LX15 can take 260 images on a single charge of its Panasonic DMW-BLH7 power pack. The power pack in the LX15 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | US$ 549 | ebay.com | |
| 2. | Panasonic LX15 | 106 mm | 60 mm | 42 mm | 310 g | 260 | n | Sep 2016 | US$ 699 | amazon.com | |
| 3. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | US$ 799 | ebay.com | |
| 4. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | US$ 699 | ebay.com | |
| 5. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | US$ 599 | ebay.com | |
| 6. | Olympus E-PM1 | 110 mm | 64 mm | 34 mm | 265 g | 330 | n | Jun 2011 | US$ 499 | ebay.com | |
| 7. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | US$ 599 | ebay.com | |
| 8. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | US$ 599 | ebay.com | |
| 9. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | US$ 599 | ebay.com | |
| 10. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | US$ 499 | ebay.com | |
| 11. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | US$ 549 | ebay.com | |
| 12. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | US$ 499 | ebay.com | |
| 13. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | US$ 499 | ebay.com | |
| 14. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | US$ 499 | ebay.com | |
| 15. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | US$ 449 | ebay.com | |
| 16. | Panasonic TZ100 | 111 mm | 65 mm | 44 mm | 312 g | 300 | n | Jan 2016 | US$ 699 | ebay.com | |
| 17. | Panasonic TZ200 | 111 mm | 65 mm | 45 mm | 340 g | 370 | n | Feb 2018 | US$ 799 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF3 features a Four Thirds sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GF3 has a native 4:3 aspect ratio, while the one in the LX15 offers a 3:2 aspect. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the LX15 offers a higher resolution of 20 megapixels, compared with 12 MP of the GF3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.33μm for the GF3). However, it should be noted that the LX15 is much more recent (by 5 years and 3 months) than the GF3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LX15 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX15 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GF3 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-GF3 has a native sensitivity range from ISO 160 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the GF3 is build around a CMOS sensor, while the LX15 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
| 2. | Panasonic LX15 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.9 | 12.0 | 315 | 62 | |
| 3. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
| 4. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
| 5. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
| 6. | Olympus E-PM1 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 21.0 | 10.3 | 499 | 52 | |
| 7. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 | |
| 8. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
| 9. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
| 10. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
| 11. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
| 12. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
| 13. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
| 14. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
| 15. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
| 16. | Panasonic TZ100 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 559 | 70 | |
| 17. | Panasonic TZ200 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 449 | 64 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX15 provides a better video resolution than the GF3. It can shoot movie footage at 4K/30p, while the GF3 is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The GF3 and the LX15 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Panasonic GF3, the Panasonic LX15, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
| 2. | Panasonic LX15 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 10.0/s | Y | Y | |
| 3. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
| 4. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
| 5. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
| 6. | Olympus E-PM1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 5.5/s | n | Y | |
| 7. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
| 8. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
| 9. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
| 10. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
| 11. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
| 12. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
| 13. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
| 14. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
| 15. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
| 16. | Panasonic TZ100 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
| 17. | Panasonic TZ200 | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX15 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GF3 and the LX15 write their files to SDXC cards. The LX15 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF3 and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 2. | Panasonic LX15 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 3. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
| 4. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 5. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
| 6. | Olympus E-PM1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 7. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
| 8. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 9. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 10. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
| 11. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 12. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 13. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
| 14. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 15. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 16. | Panasonic TZ100 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 17. | Panasonic TZ200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y |
It is notable that the LX15 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the GF3 does not provide wifi capability.
The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the GF3 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF3 was succeeded by the Panasonic GF5. Further information on the features and operation of the GF3 and LX15 can be found, respectively, in the Panasonic GF3 Manual (free pdf) or the online Panasonic LX15 Manual.
Review summary
So what is the bottom line? Is the Panasonic GF3 better than the Panasonic LX15 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-GF3:
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (300 versus 260) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in June 2011).
Reasons to prefer the Panasonic Lumix DMC-LX15:
- More detail: Has more megapixels (20 vs 12MP), which boosts linear resolution by 32%.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 3.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the GF3 necessitates an extra lens.
- More compact: Is smaller (106x60mm vs 108x67mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 3 months of technical progress since the GF3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the LX15 is the clear winner of the contest (16 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF3 and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GF3 and the LX15 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 549 | ebay.com | |
| 2. | Panasonic LX15 | .. | + + | 4/5 | 81/100 | 4/5 | 4.5/5 | Sep 2016 | US$ 699 | amazon.com | |
| 3. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | US$ 799 | ebay.com | |
| 4. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | US$ 699 | ebay.com | |
| 5. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 599 | ebay.com | |
| 6. | Olympus E-PM1 | .. | 86/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jun 2011 | US$ 499 | ebay.com | |
| 7. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | US$ 599 | ebay.com | |
| 8. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | US$ 599 | ebay.com | |
| 9. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | US$ 599 | ebay.com | |
| 10. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | US$ 499 | ebay.com | |
| 11. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | US$ 549 | ebay.com | |
| 12. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | US$ 499 | ebay.com | |
| 13. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | US$ 499 | ebay.com | |
| 14. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | US$ 499 | ebay.com | |
| 15. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | US$ 449 | ebay.com | |
| 16. | Panasonic TZ100 | 4.5/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 699 | ebay.com | |
| 17. | Panasonic TZ200 | .. | + + | 4.5/5 | 81/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 799 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GF3 offers at
ebay.com

Check LX15 price at
amazon.com
Other camera comparisons
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Specifications: Panasonic GF3 vs Panasonic LX15
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Panasonic GF3 | Panasonic LX15 |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Micro Four Thirds lenses | 24-72mm f/1.4-2.8 |
| Launch Date | June 2011 | September 2016 |
| Launch Price | USD 549 | USD 699 |
| Sensor Specs | Panasonic GF3 | Panasonic LX15 |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | Four Thirds Sensor | 1" Sensor |
| Sensor Size | 17.3 x 13.0 mm | 13.2 x 8.8 mm |
| Sensor Area | 224.9 mm2 | 116.16 mm2 |
| Sensor Diagonal | 21.6 mm | 15.9 mm |
| Crop Factor | 2.0x | 2.7x |
| Sensor Resolution | 12 Megapixels | 20 Megapixels |
| Image Resolution | 4000 x 3000 pixels | 5472 x 3648 pixels |
| Pixel Pitch | 4.33 μm | 2.41 μm |
| Pixel Density | 5.34 MP/cm2 | 17.18 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 1080/60i Video | 4K/30p Video |
| ISO Setting | 160 - 6,400 ISO | 125 - 12,800 ISO |
| ISO Boost | no Enhancement | 80 - 25,600 ISO |
| Image Processor | Venus FHD | Venus |
| DXO Sensor Quality (score) | 50 | .. |
| DXO Color Depth (bits) | 20.6 | .. |
| DXO Dynamic Range (EV) | 10.1 | .. |
| DXO Low Light (ISO) | 459 | .. |
| Screen Specs | Panasonic GF3 | Panasonic LX15 |
| Viewfinder Type | no viewfinder | no viewfinder |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 460k dots | 1040k dots |
| LCD Attachment | Fixed screen | Tilting screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Panasonic GF3 | Panasonic LX15 |
| Focus System | Contrast-detect AF | Contrast-detect AF |
| Manual Focusing Aid | no Peaking Feature | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
| Continuous Shooting | 3.2 shutter flaps/s | 10 shutter flaps/s |
| Electronic Shutter | no E-Shutter | up to 1/16000s |
| Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
| Image Stabilization | Lens stabilization only | In-body stabilization |
| Fill Flash | Built-in Flash | Built-in Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Single card slot |
| UHS card support | no | UHS-I |
| Connectivity Specs | Panasonic GF3 | Panasonic LX15 |
| External Flash | no Hotshoe | no Hotshoe |
| USB Connector | USB 2.0 | USB 2.0 |
| HDMI Port | mini HDMI | micro HDMI |
| Wifi Support | no Wifi | Wifi built-in |
| Body Specs | Panasonic GF3 | Panasonic LX15 |
| Battery Type | Panasonic DMW-BLE9 | Panasonic DMW-BLH7 |
| Battery Life (CIPA) | 300 shots per charge | 260 shots per charge |
| In-Camera Charging | no USB charging | USB charging |
| Body Dimensions |
108 x 67 x 32 mm (4.3 x 2.6 x 1.3 in) |
106 x 60 x 42 mm (4.2 x 2.4 x 1.7 in) |
| Camera Weight | 264 g (9.3 oz) | 310 g (10.9 oz) |

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Check LX15 price at
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