Panasonic LX5 vs Sony A6700

The Panasonic Lumix DMC-LX5 and the Sony Alpha A6700 are two digital cameras that were revealed to the public, respectively, in July 2010 and July 2023. The LX5 is a fixed lens compact, while the A6700 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LX5) and an APS-C (A6700) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 25.6 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX5		Sony A6700
Fixed lens compact camera		Mirrorless system camera
24-90mm f/2.0-3.3		Sony E mount lenses
10 MP – 1/1.7" sensor		25.6 MP – APS-C sensor
720/60p Video		4K/120p Video
ISO 80-3,200 (80 - 12,800)		ISO 100-32,000 (50 - 102,400)
Viewfinder optional		Electronic viewfinder (2360k dots)
3.0" LCD – 460k dots		3.0" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
2.5 shutter flaps per second		11 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
400 shots per battery charge		570 shots per battery charge
110 x 65 x 43 mm, 271 g		122 x 69 x 64 mm, 493 g

Check LX5 offers at
ebay.com
Check A6700 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX5 and the Sony Alpha A6700? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic LX5 and the Sony A6700 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The LX5 can be obtained in two different colors (black, white), while the A6700 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6700 is notably larger (18 percent) than the Panasonic LX5. It is noteworthy in this context that the A6700 is splash and dust-proof, while the LX5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the A6700 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6700 and their specifications in the Sony E-Mount Lens Catalog.

Concerning battery life, the LX5 gets 400 shots out of its Panasonic DMW-BCJ13 battery, while the A6700 can take 570 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A6700 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	US$ 499	ebay.com
2.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
3.		Canon G12	112 mm	76 mm	48 mm	401 g	370	n	Sep 2010	US$ 499	ebay.com
4.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	US$ 599	ebay.com
5.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	US$ 499	ebay.com
6.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
7.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	US$ 599	ebay.com
8.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	US$ 549	ebay.com
9.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
10.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
11.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
12.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
13.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
14.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	US$ 1 199	ebay.com
15.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
17.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a lower price than the A6700, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LX5 features a 1/1.7-inch sensor and the Sony A6700 an APS-C sensor. The sensor area in the A6700 is 698 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.5. The sensor in the LX5 has a native 4:3 aspect ratio, while the one in the A6700 offers a 3:2 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 25.6MP, the A6700 offers a higher resolution than the LX5 (10MP), but the A6700 nevertheless has larger individual pixels (pixel pitch of 3.79μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the A6700 is a much more recent model (by 12 years and 11 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6700 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6700 for good quality output (200 dots per inch) amounts to 31 x 20.6 inches or 78.6 x 52.4 cm, for very good quality (250 dpi) 24.8 x 16.5 inches or 62.9 x 41.9 cm, and for excellent quality (300 dpi) 20.6 x 13.8 inches or 52.4 x 35 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The A6700 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-LX5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha A6700 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the LX5 is build around a CCD sensor, while the A6700 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
2.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
3.		Canon G12	1/1.7	10.0	3648	2736	720/24p	20.4	11.2	161	47
4.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
5.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
6.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
7.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
8.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
9.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
10.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
11.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
12.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
13.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
14.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
15.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
16.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
17.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6700 provides a better video resolution than the LX5. It can shoot movie footage at 4K/120p, while the Panasonic is limited to 720/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6700 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Panasonic LX5 and Sony A6700 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
2.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
3.		Canon G12	optical	n	2.8 / 461	swivel	n	1/4000s	1.1/s	Y	Y
4.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
5.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
6.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
7.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
8.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
9.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
10.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
11.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
12.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
13.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
15.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
17.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The LX5 has one, while the A6700 does not. While the built-in flash of the LX5 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6700 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Sony A6700 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX5 writes its imaging data to SDXC cards, while the A6700 uses SDXC or Memory Stick PRO Duo cards. The A6700 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX5 and Sony Alpha A6700 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y
3.		Canon G12	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
6.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
7.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
16.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y

It is notable that the A6700 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the LX5 does not provide wifi capability.

The A6700 is a recent model that features in the current product line-up of Sony. In contrast, the LX5 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the LX5 was succeeded by the Panasonic LX7. Further information on the features and operation of the LX5 and A6700 can be found, respectively, in the Panasonic LX5 Manual (free pdf) or the online Sony A6700 Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic LX5 better than the Sony A6700 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-LX5:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Ready to shoot: Has a lens built-in, whereas the A6700 requires a separate lens.
• More compact: Is smaller (110x65mm vs 122x69mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6700).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in July 2010).

Advantages of the Sony Alpha A6700:

• More detail: Has more megapixels (25.6 vs 10MP), which boosts linear resolution by 63%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/120p vs 720/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (11 vs 2.5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (570 versus 400) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Reflects 12 years and 11 months of technical progress since the LX5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A6700 is the clear winner of the contest (27 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX5 and the Sony A6700 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX5 or the A6700. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
2.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
3.		Canon G12	4/5	+	..	73/100	4.5/5	4.5/5	Sep 2010	US$ 499	ebay.com
4.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	US$ 599	ebay.com
5.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	US$ 499	ebay.com
6.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
7.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
8.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	US$ 549	ebay.com
9.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
10.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
11.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
12.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
13.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
14.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	US$ 1 199	ebay.com
15.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
17.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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