Canon R5 Mark II vs Sony A99
The Canon EOS R5 Mark II and the Sony Alpha SLT-A99 are two digital cameras that were officially introduced, respectively, in July 2024 and September 2012. The R5 Mark II is a mirrorless interchangeable lens camera, while the A99 is a DSLR. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 44.8 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R5 Mark II price at
amazon.com

Check A99 offers at
ebay.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Sony Alpha SLT-A99? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon R5 Mark II and the Sony A99. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 is notably larger (21 percent) than the Canon R5 Mark II. Moreover, the A99 is markedly heavier (9 percent) than the R5 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the R5 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | Sony A99 | 147 mm | 111 mm | 78 mm | 812 g | 500 | Y | Sep 2012 | EUR 2 799 | ebay.com | |
| 3. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | EUR 4 499 | amazon.com | |
| 5. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | EUR 4 999 | amazon.com | |
| 6. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | EUR 2 699 | amazon.com | |
| 7. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | EUR 2 899 | amazon.com | |
| 8. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | EUR 4 599 | amazon.com | |
| 11. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | EUR 3 599 | amazon.com | |
| 12. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | EUR 7 499 | amazon.com | |
| 13. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | EUR 5 299 | ebay.com | |
| 14. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | EUR 1 299 | ebay.com | |
| 15. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | EUR 3 599 | ebay.com | |
| 16. | Sony A850 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Aug 2009 | EUR 1 999 | ebay.com | |
| 17. | Sony A900 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Sep 2008 | EUR 2 799 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A99 was launched at a markedly lower price (by 35 percent) than the R5 Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A99 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 44.8MP, the R5 Mark II offers a higher resolution than the A99 (24MP), but the R5 Mark II has smaller individual pixels (pixel pitch of 4.39μm versus 5.96μm for the A99). However, the R5 Mark II is a much more recent model (by 11 years and 10 months) than the A99, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Sony A99 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The R5 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha SLT-A99 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Sony A99 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 14.0 | 1555 | 89 | |
| 3. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 5. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 6. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 7. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 8. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 9. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 10. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 11. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 12. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| 13. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
| 14. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
| 15. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
| 16. | Sony A850 | Full Frame | 24.4 | 6048 | 4032 | none | 23.8 | 12.2 | 1415 | 79 | |
| 17. | Sony A900 | Full Frame | 24.4 | 6048 | 4032 | none | 23.7 | 12.3 | 1431 | 79 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R5 Mark II provides a higher video resolution than the A99. It can shoot video footage at 8k/60p, while the Sony is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R5 Mark II offers a substantially higher resolution than the one in the A99 (5760k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Canon R5 Mark II, the Sony A99, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Sony A99 | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 6.0/s | n | Y | |
| 3. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 6. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 9. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 10. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 11. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 12. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| 13. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
| 14. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
| 15. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
| 16. | Sony A850 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 3.0/s | n | Y | |
| 17. | Sony A900 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The R5 Mark II has a touchscreen, while the A99 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the A99 uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The R5 Mark II supports UHS-II cards (on both slots), while the A99 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Sony Alpha SLT-A99 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Sony A99 | Y | stereo / mono | Y | Y | mini | 2.0 | - | - | - | |
| 3. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 9. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 12. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 13. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
| 14. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 15. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
| 16. | Sony A850 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
| 17. | Sony A900 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the R5 Mark II offers wifi support, while the A99 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the A99 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The R5 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the A99 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A99 was succeeded by the Sony A99. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary
So how do things add up? Which of the two cameras – the Canon R5 Mark II or the Sony A99 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS R5 Mark II:
- More detail: Offers more megapixels (44.8 vs 24MP) with a 37% higher linear resolution.
- Better video: Provides higher definition movie capture (8k/60p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2359k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.71x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 147x111mm) and thus needs less room in the bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 11 years and 10 months of technical progress since the A99 launch.

Arguments in favor of the Sony Alpha SLT-A99:
- Longer lasting: Gets more shots (500 versus 340) out of a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the R5 Mark II is the clear winner of the match-up (20 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the Sony A99 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R5 Mark II and the A99 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | Sony A99 | 5/5 | .. | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2012 | EUR 2 799 | ebay.com | |
| 3. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | EUR 4 499 | amazon.com | |
| 5. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | EUR 4 999 | amazon.com | |
| 6. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | EUR 2 699 | amazon.com | |
| 7. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | EUR 2 899 | amazon.com | |
| 8. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | EUR 4 599 | amazon.com | |
| 11. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | EUR 3 599 | amazon.com | |
| 12. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | EUR 7 499 | amazon.com | |
| 13. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | EUR 5 299 | ebay.com | |
| 14. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | EUR 1 299 | ebay.com | |
| 15. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | EUR 3 599 | ebay.com | |
| 16. | Sony A850 | 3/5 | .. | .. | 75/100 | .. | 4.5/5 | Aug 2009 | EUR 1 999 | ebay.com | |
| 17. | Sony A900 | .. | + + | .. | + + | 4.5/5 | 5/5 | Sep 2008 | EUR 2 799 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R5 Mark II price at
amazon.com

Check A99 offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 650D vs Canon R5 Mark II
- Canon 7D II vs Canon R5 Mark II
- Canon R5 Mark II vs Fujifilm X-T200
- Canon R5 Mark II vs Panasonic FZ80
- Canon R5 Mark II vs Panasonic G95
- Canon R5 Mark II vs Sony A7 III
- Fujifilm XF10 vs Sony A99
- Nikon P1000 vs Sony A99
- Nikon Z7 vs Sony A99
- Olympus TG-5 vs Sony A99
- Panasonic GF1 vs Sony A99
- Sony A99 vs Sony RX100
Specifications: Canon R5 Mark II vs Sony A99
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | Sony A99 |
|---|---|---|
| Camera Type | Mirrorless system camera | Digital single lens reflex |
| Camera Lens | Canon RF mount lenses | Sony A mount lenses |
| Launch Date | July 2024 | September 2012 |
| Launch Price | USD 4,299 | USD 2,799 |
| Sensor Specs | Canon R5 Mark II | Sony A99 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | Full Frame Sensor | Full Frame Sensor |
| Sensor Size | 36.0 x 24.0 mm | 35.8 x 23.8 mm |
| Sensor Area | 864 mm2 | 852.04 mm2 |
| Sensor Diagonal | 43.3 mm | 43 mm |
| Crop Factor | 1.0x | 1.0x |
| Sensor Resolution | 44.8 Megapixels | 24 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 6000 x 4000 pixels |
| Pixel Pitch | 4.39 μm | 5.96 μm |
| Pixel Density | 5.18 MP/cm2 | 2.82 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 8k/60p Video | 1080/60p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 25,600 ISO |
| ISO Boost | 50 - 102,400 ISO | 50 - 25,600 ISO |
| Image Processor | DIGIC X | BIONZ X |
| DXO Sensor Quality (score) | .. | 89 |
| DXO Color Depth (bits) | .. | 25.0 |
| DXO Dynamic Range (EV) | .. | 14.0 |
| DXO Low Light (ISO) | .. | 1555 |
| Screen Specs | Canon R5 Mark II | Sony A99 |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.76x | 0.71x |
| Viewfinder Resolution | 5760k dots | 2359k dots |
| Top-Level Screen | Control Panel | Control Panel |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1229k dots |
| LCD Attachment | Swivel screen | Fully flexible screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Canon R5 Mark II | Sony A99 |
| Focus System | On-Sensor Phase-detect | Phase-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
| Continuous Shooting | 12 shutter flaps/s | 6 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | MS or SDXC cards |
| Single or Dual Card Slots | Dual card slots | Dual card slots |
| UHS card support | Dual UHS-II | UHS-I |
| Connectivity Specs | Canon R5 Mark II | Sony A99 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | PC Sync socket |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | mini HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | no Wifi |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Geotagging | no internal GPS | GPS built-in |
| Body Specs | Canon R5 Mark II | Sony A99 |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Canon LP-E6P | Sony NP-FM500H |
| Battery Life (CIPA) | 340 shots per charge | 500 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
147 x 111 x 78 mm (5.8 x 4.4 x 3.1 in) |
| Camera Weight | 746 g (26.3 oz) | 812 g (28.6 oz) |

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