Fujifilm X-T50 vs Panasonic GH7
The Fujifilm X-T50 and the Panasonic Lumix DC-GH7 are two enthusiast cameras that were revealed to the public, respectively, in May 2024 and June 2024. Both the X-T50 and the GH7 are mirrorless interchangeable lens cameras that are based on an APS-C (X-T50) and a Four Thirds (GH7) sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Panasonic provides 25 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check X-T50 price at
amazon.com

Check GH7 price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T50 and the Panasonic Lumix DC-GH7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm X-T50 and the Panasonic GH7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-T50 can be obtained in two different colors (black, silver), while the GH7 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH7 is notably larger (32 percent) than the Fujifilm X-T50. Moreover, the GH7 is substantially heavier (84 percent) than the X-T50. It is noteworthy in this context that the GH7 is splash and dust-proof, while the X-T50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T50) and the Micro Four Thirds Lens Catalog (GH7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-T50 gets 305 shots out of its Fujifilm NP-W126S battery, while the GH7 can take 380 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T50 | 124 mm | 84 mm | 49 mm | 438 g | 305 | n | May 2024 | US$ 1 399 | amazon.com | |
| 2. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | US$ 2 199 | amazon.com | |
| 3. | Fujifilm X-E5 | 125 mm | 73 mm | 39 mm | 445 g | 305 | n | Jun 2025 | US$ 1 699 | amazon.com | |
| 4. | Fujifilm X-H2 | 136 mm | 93 mm | 85 mm | 660 g | 680 | Y | Sep 2022 | US$ 1 999 | amazon.com | |
| 5. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | US$ 1 699 | ebay.com | |
| 6. | Fujifilm X-S20 | 128 mm | 85 mm | 65 mm | 491 g | 750 | n | May 2023 | US$ 1 299 | amazon.com | |
| 7. | Fujifilm X-T1 | 129 mm | 90 mm | 47 mm | 440 g | 350 | Y | Jan 2014 | US$ 1 299 | ebay.com | |
| 8. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | US$ 1 599 | ebay.com | |
| 9. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | US$ 1 699 | ebay.com | |
| 10. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | US$ 1 699 | amazon.com | |
| 11. | Fujifilm X-T30 II | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Sep 2021 | US$ 899 | ebay.com | |
| 12. | Fujifilm X100VI | 128 mm | 75 mm | 55 mm | 521 g | 450 | Y | Feb 2024 | US$ 1 599 | amazon.com | |
| 13. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
| 14. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
| 15. | Panasonic GH5s | 139 mm | 98 mm | 87 mm | 660 g | 440 | Y | Jan 2018 | US$ 2 499 | amazon.com | |
| 16. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
| 17. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-T50 was launched at a markedly lower price (by 36 percent) than the GH7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T50 features an APS-C sensor and the Panasonic GH7 a Four Thirds sensor. The sensor area in the GH7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T50 has a native 3:2 aspect ratio, while the one in the GH7 offers a 4:3 aspect.

With 39.8MP, the X-T50 offers a higher resolution than the GH7 (25MP), but the X-T50 nevertheless has marginally larger individual pixels (pixel pitch of 3.04μm versus 3.00μm for the GH7) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-T50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T50 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Panasonic GH7 are 28.9 x 21.7 inches or 73.4 x 55.1 cm for good quality, 23.1 x 17.3 inches or 58.7 x 44.1 cm for very good quality, and 19.3 x 14.5 inches or 48.9 x 36.7 cm for excellent quality prints.
Unlike the X-T50, the GH7 has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T50 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 64-51200. The corresponding ISO settings for the Panasonic Lumix DC-GH7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
In terms of underlying technology, the X-T50 is build around a BSI-CMOS sensor, while the GH7 uses a CMOS imager. The X-T50 uses Fujifilm's X-Trans layout of photosites, while the GH7 employs the more common Bayer array.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T50 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 14.1 | 2418 | 86 | |
| 2. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 3. | Fujifilm X-E5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 14.2 | 2523 | 86 | |
| 4. | Fujifilm X-H2 | APS-C | 39.8 | 7728 | 5152 | 8k/30p | 24.3 | 13.9 | 2249 | 86 | |
| 5. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
| 6. | Fujifilm X-S20 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.3 | 14.0 | 2315 | 86 | |
| 7. | Fujifilm X-T1 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.5 | 12.7 | 1426 | 77 | |
| 8. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
| 9. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
| 10. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
| 11. | Fujifilm X-T30 II | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.8 | 2144 | 85 | |
| 12. | Fujifilm X100VI | APS-C | 39.8 | 7728 | 5152 | 6.2K/30p | 24.3 | 14.1 | 2397 | 86 | |
| 13. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 14. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
| 15. | Panasonic GH5s | Four Thirds | 9.9 | 3680 | 2700 | 4K/60p | 23.1 | 12.8 | 1154 | 74 | |
| 16. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
| 17. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-T50 provides a higher video resolution than the GH7. It can shoot video footage at 6.2k/30p, while the Panasonic is limited to 5.7K/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH7 offers a substantially higher resolution than the one in the X-T50 (3680k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-T50, the Panasonic GH7, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T50 | 2360 | n | 3.0 / 1840 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
| 2. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 3. | Fujifilm X-E5 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
| 4. | Fujifilm X-H2 | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 5. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
| 6. | Fujifilm X-S20 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/4000s | 8.0/s | Y | Y | |
| 7. | Fujifilm X-T1 | 2360 | n | 3.0 / 1040 | tilting | n | 1/4000s | 8.0/s | n | n | |
| 8. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
| 9. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 10. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | tilting | Y | 1/8000s | 15.0/s | n | Y | |
| 11. | Fujifilm X-T30 II | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
| 12. | Fujifilm X100VI | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
| 13. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 14. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 15. | Panasonic GH5s | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 16. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 17. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One difference between the cameras concerns the presence of an on-board flash. The X-T50 has one, while the GH7 does not. While the built-in flash of the X-T50 is not very powerful, it can at times be useful as a fill-in light.
The GH7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-T50 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T50 and the Panasonic GH7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-T50 writes its imaging data to SDXC cards, while the GH7 uses CFexpress (type B) or SDXC cards. The GH7 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T50 only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T50 and Panasonic Lumix DC-GH7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T50 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 2. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 3. | Fujifilm X-E5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 4. | Fujifilm X-H2 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 5. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 6. | Fujifilm X-S20 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Fujifilm X-T1 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 8. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
| 9. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
| 10. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 11. | Fujifilm X-T30 II | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 12. | Fujifilm X100VI | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 13. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 15. | Panasonic GH5s | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 16. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the GH7 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-T50 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic GH7 (unlike the X-T50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-T50 and the GH7 are recent models that are part of the current product line-up. The X-T50 replaced the earlier Fujifilm X-T30 II, while the GH7 followed on from the Panasonic GH6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
Review summary
So how do things add up? Is the Fujifilm X-T50 better than the Panasonic GH7 or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Fujifilm X-T50:
- More detail: Offers more megapixels (39.8 vs 25MP) with a 29% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (6.2k/30p vs 5.7K/60p).
- More compact: Is smaller (124x84mm vs 138x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 367g or 46 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).

Arguments in favor of the Panasonic Lumix DC-GH7:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.62x).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (380 versus 305) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
If the count of relative strengths (bullet points above) is taken as a measure, the GH7 emerges as the winner of the match-up (13 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T50 and the Panasonic GH7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-T50 or the GH7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T50 | .. | .. | .. | 85/100 | .. | .. | May 2024 | US$ 1 399 | amazon.com | |
| 2. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 199 | amazon.com | |
| 3. | Fujifilm X-E5 | .. | .. | .. | .. | .. | .. | Jun 2025 | US$ 1 699 | amazon.com | |
| 4. | Fujifilm X-H2 | 5/5 | + + | 5/5 | 89/100 | 5/5 | 5/5 | Sep 2022 | US$ 1 999 | amazon.com | |
| 5. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 1 699 | ebay.com | |
| 6. | Fujifilm X-S20 | 5/5 | + + | 5/5 | 86/100 | .. | 4.5/5 | May 2023 | US$ 1 299 | amazon.com | |
| 7. | Fujifilm X-T1 | 5/5 | + + | .. | 84/100 | 5/5 | 5/5 | Jan 2014 | US$ 1 299 | ebay.com | |
| 8. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | US$ 1 599 | ebay.com | |
| 9. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | US$ 1 699 | ebay.com | |
| 10. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | US$ 1 699 | amazon.com | |
| 11. | Fujifilm X-T30 II | 5/5 | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Sep 2021 | US$ 899 | ebay.com | |
| 12. | Fujifilm X100VI | 5/5 | + + | 4.5/5 | 87/100 | .. | 4.5/5 | Feb 2024 | US$ 1 599 | amazon.com | |
| 13. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
| 14. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
| 15. | Panasonic GH5s | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Jan 2018 | US$ 2 499 | amazon.com | |
| 16. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
| 17. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check X-T50 price at
amazon.com

Check GH7 price at
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Other camera comparisons
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Specifications: Fujifilm X-T50 vs Panasonic GH7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm X-T50 | Panasonic GH7 |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Fujifilm X mount lenses | Micro Four Thirds lenses |
| Launch Date | May 2024 | June 2024 |
| Launch Price | USD 1,399 | USD 2,199 |
| Sensor Specs | Fujifilm X-T50 | Panasonic GH7 |
| Sensor Technology | BSI-CMOS | CMOS |
| Sensor Format | APS-C Sensor | Four Thirds Sensor |
| Sensor Size | 23.5 x 15.7 mm | 17.3 x 13.0 mm |
| Sensor Area | 368.95 mm2 | 224.9 mm2 |
| Sensor Diagonal | 28.3 mm | 21.6 mm |
| Crop Factor | 1.5x | 2.0x |
| Sensor Resolution | 39.8 Megapixels | 25 Megapixels |
| Image Resolution | 7728 x 5152 pixels | 5776 x 4336 pixels |
| Pixel Pitch | 3.04 μm | 3.00 μm |
| Pixel Density | 10.79 MP/cm2 | 11.14 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 6.2k/30p Video | 5.7K/60p Video |
| ISO Setting | 125 - 12,800 ISO | 100 - 25,600 ISO |
| ISO Boost | 64 - 51,200 ISO | 50 - 25,600 ISO |
| Image Processor | X-Processor 5 | Venus |
| Screen Specs | Fujifilm X-T50 | Panasonic GH7 |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.62x | 0.8x |
| Viewfinder Resolution | 2360k dots | 3680k dots |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1840k dots | 1840k dots |
| LCD Attachment | Tilting screen | Fully flexible screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Fujifilm X-T50 | Panasonic GH7 |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 8 shutter flaps/s | 14 shutter flaps/s |
| Electronic Shutter | up to 1/180000s | up to 1/32000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | Built-in Flash | no On-Board Flash |
| Storage Medium | SDXC cards | CFexB or SDXC cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| UHS card support | UHS-II | Dual UHS-II |
| Connectivity Specs | Fujifilm X-T50 | Panasonic GH7 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | no PC Sync | PC Sync socket |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | micro HDMI | full HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Fujifilm X-T50 | Panasonic GH7 |
| Environmental Sealing | not weather sealed | Weathersealed body |
| Battery Type | Fujifilm NP-W126S | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 305 shots per charge | 380 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
124 x 84 x 49 mm (4.9 x 3.3 x 1.9 in) |
138 x 100 x 100 mm (5.4 x 3.9 x 3.9 in) |
| Camera Weight | 438 g (15.5 oz) | 805 g (28.4 oz) |

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